Singer Jung In's How to Express Become a Unique and Attractive Singer

In this class, you can learn not only about sound production techniques or theory to gain singing skills, but also the experience and advice of Creator Jung In to become a singer with your own competitive edge, as well as the overall record production process.

I recommend it to people like this

• People who are worried about whether the “path of a singer” is right in the world of jobs where “dreams” are not the only thing

• Those who are curious about the overall production process of a song until it becomes known to the public

• Fans who love the voice of singer Jeong-in

• Those who want to know how to be good at Adrive

CREATOR STORY

A huge amount of energy emanating from a small body!

Singer Jung In is the owner of a voice with a deep resonance and rich scent.

Debuting in 2002, she instantly imprinted her voice on the world through Lee Ssang's <Rush>, and released numerous hits such as <I hate you >, <rainy season >, and <Uphill Road> with her unique tone and excellent sensibility.

Jung In boldly reviews herself, saying that she wasn't good at singing from the beginning, but that her rough skills developed thanks to the great opportunities she had as an advantage.

She met and sang songs, met an unexpected wall, found her own way to overcome this wall, and created the current “Trust and Listening” with her insatiable desire for songs.

“I think it's more important to have your own charm and your own world than not being good at singing.”

On the path of singing, Jeong-in talks about heartfelt advice through experience so that those who doubt themselves can flexibly create their own weapons without losing ground can be conveyed through the song.

Jung In's class will be an opportunity for me to think about more important values that are not shaken by external standards and discover hidden jewels within me.

Q & A

Q. What are the criteria for selecting songs to be included in an album?

I personally used to focus on sounds and genres that I liked or could describe myself, and music that I could sing well and digest, but now I think I'm thinking a lot about lyrics. I think a lot about whether the lyrics are authentic according to my standards, or whether the lyrics are authentic to me. It's really hard to put into words, but I use songs that make me feel sincere, songs that are honest, and these things as a big standard.

Q. Is there anything you are particularly concerned about before going on stage?

When I get on stage, the sound is blurry. Therefore, a monitor is essential for listening closely and clearly to the accompaniment and my voice on stage. I usually let the monitor sound dry. I'm asking you to remove all the reverbs. Also, I can only hear one side of my ear, so if I put the earphones on that side, I can't hear the outside monitor properly anyway, so I ask them to turn off the outside monitor and remove the ringing as much as possible and monitor it. Especially on stage, unlike when singing in a recording studio or live voice, I often can't focus on my voice depending on the venue situation, microphone settings, monitor settings, etc. Therefore, I pay close attention to hearing well so that I can produce the intended pitch and sound well.

Q. Do you have any tips to sing ad libs well?

The purpose of ad libs is to be able to effectively fill the space when the melody, various chords, songs, and other instruments are arranged and played, and that other sounds that can enhance the emotion of the song come out, so it can effectively fill that space, give fun with playful ideas, and impress with a wonderful sound, and if that intention works well, you don't have to just bend over. In fact, ad libs' colorful lines with multiple notes are great, but you can make many really great Adrives with just one note. It really helps me a lot to focus on my tone, my voice, and my feelings while practicing with one note. (Check out the video for tips on how to practice ad libs!)

Q. What should we do to overcome the artist's block?

I'm not just looking at my own shortcomings; what kind of songs do I make happy, what sounds make me exhilarating, what kind of songs do I feel happy when I sing, what kind of stories I can sincerely sing when I tell them, what kind of sound I feel in line with my soul... I think that if you focus on these concerns, they will create your own appeal, and furthermore, give you words about what kind of songs and stories you want to tell, and guide you on the path to getting the skills needed for this.