Hallo I'm Seong Ho-sam from the acting 101 (acting lessons for all) class. I am an actor and acting coach who has acted in various media such as plays, dramas, and movies. I have over 10 years of experience teaching acting lessons to many actors and students at various places such as entertainment companies, universities, academies, and private lessons. I would like to share with you my know-how in cultivating many actors.

Acting 101 (acting lessons for all) is an introductory acting course. It's an introductory course, but if you've learned acting to some extent and aren't familiar with the voice training and Laban Effort (Laban Effort) training covered in my class, I think it would be well worth taking the class.

I'm sure many of you have dreamed of becoming an actor at least once. However, this class is designed for those who were unable to learn acting because of lack of conditions or courage.

Of course, I still think in-person classes are essential for acting classes. In particular, in practical classes, the teaching role is very important, so we need to lead student actors in a good direction. There is no change in that idea, but if you provide an accurate framework for basic acting I think you'll be able to digest and understand non-face-to-face classes well.

ACTING101 (acting lessons for all) Silver This class is prepared for people like this.

Those who are curious about acting
People who want to be actors but are vague
For those who are curious about media acting
Students who want to enter the Department of Theater and Film
Those looking for a new hobby

ACTING101 (Acting Lessons for All) will provide you with a wide range of knowledge about acting, including acting past and present, theatre, drama, and film acting, Laban Effort (Laban Effort) - essential movement classes for British actors, script analysis, dialogue demonstrations, voice training (how to breathe and voice actors in Anglo-American countries), and audition methods.

Thank you

# Class preview

Finding and demonstrating a theatrical monologue that suits you (a must-read for theatrical film students)

- Please don't look for lines that are too dramatic. Professors don't like lines that only have a dramatic, screaming 'vibe.' It is important to be able to fully show your own charm and accurately express the purpose of the monologue.

The difference between acting in a play, acting in a movie, and acting in a drama

- You should consider the actual size of the screen (theater) where the performance is visible to the viewer (audience). If so, the size of the smoke is bound to change.

Theatrical film glossary

- You need to know frame sizes and movie terms - such as knee shot, medium shot, tilt, rail shot, etc.

Reasons to do voice training

- Are you still doing abdominal breathing? Many people are doing vocalization training the wrong way. This is a must-see chapter for anyone who wants to become an actor. I'll show you a scientifically proven voice training method taught in Anglo-American regions.

Find the character's Super Objective (Super Objective)!

- In the script, the characters always move with a purpose.

Laban Effort (Laban Effort)

- Through Laban training, which is an essential course for British actors, you can express your movements according to the character's personality, social image, and times.

Audition tips and audition video shooting tips

-Provides useful information for actors who are auditioning I'll also attach an email list of casting directors.

ACTION 101: ACTION LESSONS FOR EVERYONE

ACTION 101: ACTION LESSONS FOR EVERYONE